The Lydian Chromatic Concept of Tonal Organization is a jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT). Russell's work postulates that all music is based on the tonal gravity of the Lydian mode. Deriving Lydian - The Lydian Chromatic Scale - Influence. 22 Jul - 5 min - Uploaded by Walk That Bass This Jazz Piano Tutorial is about George Russell's Lydian Chromatic Concept of Tonal. 20 May - 61 min - Uploaded by Pebber Brown Dr. Gratz talks about George Russell and the Lydian Chromatic Concept.
The Lydian Chromatic Concept of Tonal Organization: The Art and Science of Tonal Gravity Hardcover – Composer, theoretician, band leader, George Russell, first published the Lydian Chromatic Concept in , and, for almost 50 years, worked on further refining it. Reconceptualizing the. Lydian Chromatic Concept: George Russell as Historical Theorist. Michael McClimon [email protected] Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from .
What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell's Lydian Chromatic Concept says otherwise. 1)Why did the Author (is it George Russell?) use Lydian as the Parent Key? 2)I notice they are all started on a* Chord Tone like the b7 of a. Today's jazz theory is rooted in chord/scale unity from George Russell's Lydian Chromatic Concept. This revolutionary concept influenced the. The Lydian Chromatic Concept of Tonal Organization. George Russell's book, The Lydian Chromatic Concept of Tonal Organization, first published in , was.